Latest in Cinema Highlight

Advertising Area



Latest in Cinema


In the Fade

Films shortlisted for foreign-language Oscar

Nine films have made it into the final list vying for an Academy Award nomination in the foreign language category. The Academy of Motion Picture Arts and Sciences announced the shortlist on Thursday, with films from Lebanon, Chile, Hungary, Senegal, Sweden, South Africa, Russia, Germany, and Israel. The nine films were chosen from a longer …

Adham Youssef

the hurt locker

The Hurt Locker: Hellish Paradise

Having watched it for the second time yesterday, I am still as captivated as I was five years ago when I first watched it. The Hurt Locker, which is slang in the military for an emotional place of unfathomable pain, is the title given to Kathryn Bigelow’s 2010’s Oscar-winning film. The film follows a group …

Farida El-Sayed

7.B.2

Ai Weiwei’s ‘Human Flow’ makes Oscar shortlist

Chinese artist Ai Weiwei first began work on his powerful refugee documentary using his smartphone camera, until he was joined by a German producer. “Human Flow” is now among 15 contenders for Best Documentary at the Oscars. Filmed over a year, armed with drones, his iPhone, and about 200 crew members, Weiwei visited more than …

Daily News Egypt

7 1

Lemon Tree: camera as tool to deconstruct borders in Arab-Israeli conflict

Lemon Tree brings the camera to the borders. The film takes place at the separation line, or the “Green Line”, that separates the occupied Palestinian territory of the West Bank from Israel. Unlike the checkpoints, the borders are not owned by any side. However, the ones who control the regulations on whom and what should …

Adham Youssef

chronicles 2

Fragments of Broken Glass

In Elia Suleiman’s first feature film, Chronicle of a Disappearance (1996), he depicts Palestinians through the theatre of everyday life. He does so by steering the film via fragmented and observational snippets of mundane life in the occupied territories. The seemingly unrelated vignettes, that lack introductions or conclusions, penetrate the livelihood of Palestinians that live …

Farida El-Sayed

TheHurtLocker 1

The Hurt Locker: how to use film to create pro-war propaganda?

Somewhere in Iraq, a soldier steps forward to disable a bomb, some tension rises and then boom, the bomb explodes. After his death, the main protagonist of the film Sergeant William appears to take the lost one’s place. William is a stubborn, sarcastic, well-trained explosives expert who is always fixing issues even when he does …

Mohammed Tarek

western 1

‘Western’: a feminine critique of the male ego 

Opening the sidebar program of the Cannes Film Festival, “Un Certain Regard”, Valeska Grisebach’s film “Western” investigates ideas of ownership, xenophobia, and masculinity, in a way that reflects some modern tensions between eastern and western Europe. After disappearing for ten years, director Valeska Grisebach returned in the 2017 edition of the Canne Film Festival, after …

Adham Youssef

End of Section